Deadly Highways: Seven Road Trip Horror Movies To Keep You Home

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As summer winds down, what better way to close it out than with a road trip. Who doesn’t like getting into the car, driving with the windows down, and blasting your favourite tunes? If you have a good roadside assistance plan, what could go wrong? Well, horror fans know that plenty can go wrong. From psychopathic hitchhikers to deadly roadside attractions to terminal road rage, a leisurely ride can go bad quickly in horror movies. And we won’t even mention the risks of taking a wrong turn in rural areas. Instead of taking a road trip this summer, maybe you should play it safe and just peruse this list of seven ‘road trip’ horror movies.

7 – Duel (1971)

Duel is the quintessential road trip thriller. Despite premiering on television as an ABC Movie of the Week, Duel is something of a minor classic of its sub-genre. It’s every bit as suspenseful as it is simple. Straight-laced salesman David Mann passes a beat-up Peterbilt tanker truck on a stretch of deserted highway. Unfortunately, the unseen driver takes it personally and terrorizes David for the remainder of his business trip. From that point onward, Duel is a non-stop cat-and-mouse chase that rarely lets up. Sometimes the most straightforward premise is the best. And it probably doesn’t hurt that Steven Spielberg directed – in his feature-length debut – from a Richard Matheson screenplay. Spielberg’s decision to offer no motivation – not even a glimpse of the truck driver – also amps up the suspense.

6 – Race with the Devil (1975)

Okay, Race With the Devil is a hokey movie. At the height of the 1970s “Satanic Panic”, this mash-up of horror and action was one of several cult-themed movies terrifying suburban Americans. Yes, it’s a pure midnight movie with production values only slightly better than the run-of-the-mill made-for-television movie from the same era. When two married couples witness a Satanic ritual, their RV vacation turns into a cross-country nightmare. Part horror, part car chase movie, Race With the Devil is pretty standard stuff. Don’t expect much in the way of explicit gore. And there aren’t really any good jumps of which to speak. What makes this one worth watching is its oddly unsettling downer of an ending. You’ll want to leave the lights on after this one is done.

5 – Road Games (1981)

When someone says ‘Scream Queen’, Jamie Lee Curtis is probably still the name that comes to mind first. Everyone knows her roles in Halloween, Prom Queen, The Fog, and Terror Train. But even die-hard horror fans may have missed Road Games. In between Terror Train and Halloween II, Curtis found time for this Aussie road trip horror flick. Once again Curtis plays a hitchhiker who, along with a truck driver, gets caught up in a cat-and-mouse game across the Australian outback with a serial killer. Though Road Games sounds like just another slasher movie, it’s more of a suspense thriller. Less Friday the 13th, more Hitchcock in spirit. No, Road Games won’t fool anyone into considering it a classic. But it’s a nicely shot, well-acted thriller that’s surprisingly effective. In fact, it’s something of a hidden gem in Curtis’ filmography.

4 – The Hitcher (1986)

Once upon a time, years before Uber, people hitchhiked. Yes, they hopped into a car with a complete stranger. And they couldn’t leave a negative review on any app. Forget about the 2000’s remake, The Hitcher is an 80’s guilty-pleasure thriller that operates on levels of increasing implausibility. Jim Halsey is delivering a car from Chicago to San Diego. On a lonely stretch of desert highway, a tired Jim decides to pick up a hitchhiker. Unfortunately, the ‘hitcher’, John Ryder, is a psychopathic serial killer, intent on making Jim’s life a living hell. On one hand, The Hitcher can be pretty unsettling when it’s focused on small moments between Jim and Ryder. These scenes make for a tense, if not unlikely, ‘Road Trip’ from hell. Along the way, the movie goes off the rails. But Rutger Hauer’s chilling performance more than compensates for its unintentional silliness.

3 – Joy Ride (2001)

At first glance, Joy Ride feels like a spiritual remake of Duel. When college student Lewis Thomas’ high school crush, Venna, asks him to pick her up from school for the holidays, he trades in his plane ticket for a beat-up 1971 Chrysler Newport. But the road trip gets sidetracked when Lewis stops to bail out his troubled older brother, Fuller. A cruel prank with a CB radio on a trucker who calls himself, ‘Rusty Nail’, ends tragically. Like Spielberg’s Duel, Joy Ride then shifts into a ‘cat-and-mouse’ chase across deserted highways. Yet in spite of its similarities, Joy Ride still delivers the goods. First, Joy Ride benefits from director John Dahl’s deft hand – he knows how to craft suspense. Audiences will find a handful of white-knuckle moments. Throw in a likable cast and Ted Levine’s creepy voice as ‘Rusty Nail’ and Joy Ride makes for a decent update.

2 – Vacancy (2007)

If you’ve ever taken a road trip, there’s a good chance you had to spend the night in a cheap motel. Generally, a cheap motel means dirty sheets, bed bugs, no cable, or all of the above. But for 2000’s horror movie Vacancy, a motel stopover turns into a fight for survival. On the brink of divorce, David and Amy’s late-night shortcut leads them to a remote motel. When David finds handful of VHS tapes showing grisly murders, he recognizes the setting – their motel room. With Vacancy clocking in at just under 90 minutes, it’s a tightly packed thriller that never overstays its welcome. David’s discovery of the ‘snuff tapes’, for instance, is genuinely unnerving. And director Nimrod Antal wisely trades on a ‘less is more’ approach. Still despite its promising premise and good set-up, Vacancy settles into watchable B-movie, owing in small part to its lack of compelling villains.

1 – Splinter (2008)

A lot of horror fans probably missed Splinter. This little indie road trip thriller barely saw the inside of movie theaters. And it’s too bad because there’s lots to like about this creature feature. A couple’s romantic getaway goes off-course when an escaped convicted and his addict girlfriend carjack them. Things only get worse from that point onward. A flat tire strands the foursome at an abandoned, remote gas station. As it turns out, the gas station is abandoned because of a strange, splinter-like creature that infects, kills, and re-animates its victims. Consider it survival horror at its simplest and best. Whether it’s the gross practical effects, the tight pacing, subverted expectations, or doses of humour, Splinter is inspired DIY horror.

April Fool’s: When Pranks Go Wrong in Horror Movies

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Happy April Fool’s Day! Currently, most people are probably not craving any April Fool’s pranks. To date, the entire 2020 year has been kind of one big, cruel joke. Besides, every horror fan knows that practical jokes never work out. After all, it was a practical joke that gave Jason Voorhees his iconic goalie mask. Many slasher movies start with some cruel joke gone horribly awry giving birth to a masked maniac seeking revenge. So rather than planning some elaborate prank that will probably fall flat, check out this list of horror movie pranks that went poorly for everyone involved. Consider it a public service announcement. No, April Fool’s Day isn’t on the list – if you’ve see the movie (which you should), you can figure out why.

Children Shouldn’t Play With Dead Things

An abusive, bully stage director, Alan, takes his theatre troupe to a deserted island. Aside from a dilapidated cabin, an abandoned cemetery of executed criminals is the only thing residing on the island. To torment his actors, Alan drags them to the cemetery to perform a mock summation of the dead. Too bad for Alan and company, the practical joke actually raises the dead. Children Shouldn’t Play With Dead Things is the ultimate midnight movie. Totally low-budget with amateur performances, the scenes of the dead emerging from their graves is actually quite affecting. Bob Clark, who would later direct Black Christmas, filmed this early 70’s chiller. Fans of cheesy 70’s B-horror will appreciate this friendly reminder that the occult isn’t something to take lightly.

All the Boys Love Mandy Lane (2006)

Somber, sort-of-slasher All the Boys Love Mandy Lane kicks off with the familiar slasher ‘tragic past event’. Summer’s ending and socially awkward Mandy Lane has matured, attracting the attention of her male classmates. When the school’s ‘cool kids’ invite Mandy Lane to a pool party, she insists on bringing her loner friend, Emmet. But Emmet is humiliated by a bully and, in response he later goads his drunk tormented into jumping from the house roof into the pool. Instead, the bully splatters himself on the concrete below. Several months later, a now popular Mandy Lane joins the ‘cool kids’ at a remote ranch. Partying and hook-ups quickly give way to some stalking and slashing. Contrary to some middling reviews, All the Boys Love Mandy Lane is a surprisingly atmospheric movie with some gorgeous photography and a genuine surprise ending.

Joy Ride (2001)

Two brothers, a love interest, a cross-country road trip, and a CB radio – what could go wrong? When loser brother Fuller plays a cruel prank on a truck driver who goes by the handle, ‘Rusty Nail’ everything goes wrong. Soon thereafter ‘Rusty Nail’ stalks the trio on dark, deserted highways with increasingly nasty results. Though Joy Ride is basically an update of Steven Spielberg’s Duel, this John Dahl-directed thriller is good, high octane fun. You never catch a glimpse of ‘Rusty Nail’, which makes it all the more creepy. But there’s a good chance you’ll recognize that voice – it’s Ted Levine, or ‘Buffalo Bill’ from Silence of the Lambs.

Hell Night (1981)

Hell Night uses the classic movie dare as its set-up – spend a night in a haunted house. As part of a fraternity hazing ritual, four first-year pledges must spend the night in Garth Manor. Not surprisingly, the seniors have a few scares planned for them. But it’s a horror movie and Garth Manor has some very real horrors hidden in its walls. This often forgotten early 80’s slasher mixed Gothic horror with the by-then standard sub-genre formula. Some horror fans consider it to be something of a cult classic. Yet aside from Linda Blair’s presence and one good thrill, Hell Night is mostly forgettable. Still its a good reminder that fraternities generally suck.

Slaughter High (1986)

And here it is. The most ridiculous, convoluted ‘prank gone wrong’ on this list. High school cool kids trick nerd Marty into the girl’s washroom for a sexual rendezvous. But catching Marty naked on camera isn’t enough. No, this prank includes jabbing him with a javelin, electrocuting him, and dunking his head in a toilet. Oh, it doesn’t stop there. Next, his tormentors give Marty some laced marijuana. It all culminates with Marty getting sick from the joint and spilling acid on himself. One year later a killer wearing a jester mask stalks the same middle-aged high school graduates at a rigged reunion. Has the institutionalized, horribly scarred Marty escaped for revenge? Is a jester mask with bells on it a practical disguise for a killer? Who cares. Slaughter High is a ridiculously stupid, ultra low-budget slasher that’s still kind of entertaining.

Terror Train (1980)

Another slasher movie, another fraternity hazing ritual gone wrong. College frat boys lure pledge Kenny Hampson to a dark room with the promise of hot sex with Jamie Lee Curtis. Instead, poor Kenny finds a medical school cadaver in the bed, which drives him made. A year later, a masked killer crashes the same fraternity’s New Year’s train party. Has Kenny Hampson returned for revenge. Probably, yes. Canadian slasher Terror Train has one of the more ridiculous pranks gone wrong. Nevertheless, it’s also a surprisingly effective horror movie with a novel concept for its killer making it one of the better B-slasher movies from the 80’s.

Urban Legend (1998)

Two high school girls cause a fatal car accident while playing the ‘headlight flashing’ game. One year later, a killer stalks college students using ‘urban legends’ as their modus operandi. The twist – the killer was the car accident victim’s fiancée and the ‘Final Girl’ was one of the drivers. Most of the slasher-lite movies that followed Scream were lukewarm horror efforts. In spite of its genuinely clever hook, Urban Legend is pretty run-of-the-mill stuff that never fully exploits the concept. But Rebecca Gayheart’s scene-chewing in the climax almost makes up for the lack of scares.

House on Sorority Row/Sorority Row

Take your pick. Both movies revolve around mean-spirited sorority sisters whose prank goes horribly wrong. In 1982’s The House on Sorority Row, ‘Queen Bee’ Vicki’s prank goes wrong learning stern house mother, Mrs. Slater, dead in the pool. Over 25 years later, remake Sorority Row sees sorority sisters’ prank on an unfaithful boyfriend end in a tragic death. Guess what? In both versions, someone knows what the sorority sisters did and wants to make them pay for it. The 1982 original is a surprisingly underrated slasher entry with a fantastic ending. In contrast, the 2009 remake is a dull, derivative slasher hack that has more cliches than scares. Both movies are a reminder that, like fraternities, sororities kind of suck.

The Burning (1981)

Campers play a prank on mean caretaker Cropsy, placing a candle-lit rotting skull by his bed. Unfortunately, the prank works a little too well and Cropsy catches on fire. One year later, a horribly disfigured Cropsy returns to the same camp for revenge. Of all the Friday the 13th clones produced in the 80’s, The Burning stands out as the best. Much of the credit rightfully goes to Tom Savini’s incredible gore effects. To date, The Burning’s ‘raft scene’ is a slasher classic. But for a low-budget 80’s horror movie, The Burning also has quite a few ‘soon-to-be’ famous supporting actors in its cast.

Carrie (1976)

No other movie was going to top this list. Leave it to horror master Stephen King to craft the horror’s most cruel practical joke. Anyone who’s watched a horror movie knows how this one goes. Loner Carrie White gets her magical night at the prom. But it’s all ruined when her jealous bullies pour a bucket of pig blood over just as she’s crowned Prom Queen. Sometimes they really are all going to laugh at you. Too bad for these mean-spirited high schoolers that Carrie is also a telekinetic. Brian DePalma’s Carrie is a stylish, disturbing horror movie that boasts one of the most bombastic revenge scenes filmed.

Joy Ride is a High-Octane 18-Wheeler of Fun Thrills

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Director John Dahl is best known for his neo-noir films from the 1990’s. His filmography includes critically-acclaimed thrillers Red Rock West, The Last Seduction, and Rounders. In spite of his track record, Dahl was an odd choice to helm the J.J.Abrams-penned thriller, Joy Ride. On the surface, Abrams’ highway thriller was essentially an MTV-update on Steven Spielberg’s early 1970’s thriller, Duel. Nevertheless, Dahl and Abrams turned the Paul Walker-headed Joy Ride into a surprise box office and critical hit in 2001.

Synopsis

When college student Lewis Thomas’ high school crush, Venna, asks him to pick her up from school for the holidays, he’s more than happy to oblige. He trades in his plane ticket for a beat-up 1971 Chrysler Newport and hits the highways. But the road trip gets sidetracked when Lewis has to stop and bail out his troubled older brother, Fuller. To pass the time on their road trip, Fuller buys and installs an old CB radio. When they stumble across an eccentric trucker who goes by the handle name, ‘Rusty Nail’, the brothers play a cruel prank that ends tragically. Now ‘Rusty Nail’ is stalking the brothers across empty highways in his semi-truck.

Dahl’s Neo-Noir Experience Elevates The Suspense in Joy Ride

Dahl knows how to set-up and film a suspenseful scene. Look no further than his filmography for proof. And Joy Ride benefits from Dahl’s deft hand. Though it’s a movie that could have been just a glossy recycle of Duel, Dahl creates some beautifully-shot edge-of-your-seat moments. The early motel scene that finds the brothers listening as their prank goes horribly wrong is a white-knuckle highlight. Dahl’s decision to slowly zoom in on an oceanside painting lit up by lightning from outside lends surprisingly elegance to the movie.

…Dahl doesn’t exploit the movie’s built-in cat-and-mouse scenario on the highways as much as one would hope.

To some extent, however, Dahl misses opportunities on the film’s highway trek. While Duel felt like one long bout of sustained tension, Dahl doesn’t quite exploit the movie’s built-in cat-and-mouse sceneraio on the highways. As a result, Joy Ride feels a bit uneven. But Dahl compensates for the shortcoming with a handful of off-road chases, including a stunningly photographed stalk-and-chase scene in a cornfield.

Joy Ride ‘Nails’ Its Climax

It’s this sense of inevitably along with Dahl’s masterful staging in yet another seeding motel room that results in a heart-pounding climax.

If Dahl doesn’t entirely maintain a consistent feeling of dread, the neo-noir filmmaker makes up or it with the climax. Joy Ride is a case of ‘all roads leading’ to an inevitable showdown. It’s this sense of inevitably along with Dahl’s masterful staging in yet another seedy motel room that results in a heart-pounding climax. In fact, Joy Ride boasts one of the better climaxes you’ll find in a mainstream thriller. Seventeen years after its release, it’s an ending that holds up well to repeat viewing. Abrams also deserves credit for a lean screenplay that lends itself to Dahl’s filmmaking style.

Steve Zahn Steals Joy Ride With a Manic Performance

Paul Walker fans will enjoy Joy Ride as reminder of how effortlessly likeable he was as a young actor. Yet there’s little doubt that Steve Zahn steals the show as the screw-up brother, Fuller. Zahn turns in a manic performance that keeps Joy Ride moving along in those slower moments. To his credit, Zahn also makes Fuller a sympathetic character in spite of how unlikeable he should be for viewers .Conversely, Leelee Sobieski is given little to do as Venna. In the late 1990’s and early 2000’s, Sobieski was pretty active with roles in several major films. Here in Joy Ride, she’s regulated to the love interest role and ‘damsel-in-distress’.

Though he’s not technically in Joy Ride, veteran character actor Ted Levine lends his voice to ‘Rusty Nail’. It’s a stroke of casting genius as Levine’s distinctive voice instantly makes the unseen ‘Rusty Nail’ an omnipresent threat. Any time Levine’s voice is speaking through the CB radio, the movie is instantly injected with a sense of urgency.

Joy Ride Holds Up Well As A Forgotten Gem

By and large, Joy Ride shakes off the inevitable comparisons to Duel, standing on its own as a fun thriller. Released in 2001, it could have also easily fallen in with the rash of MTV-styled thrillers that cycled in and out of theatres in the 1990’s. Dahl’s presence behind the camera, however, ensures that Joy Ride isn’t as dull as The Crush or Fear.

THE PROFESSOR’S FINAL GRADE: B+