Cargo (2018) Shows the Zombie Film Still Has Plenty of Life In It

Cargo Shows The Zombie Film Still Has Plenty of Life In It

Recently it has appeared that even the ‘living dead‘ are vulnerable to the cyclical nature of popular culture. All the rage for over a decade, zombie entertainment has been seemingly waning over the last year or so. The Walking Dead’s Season 8 finale was the zombie juggernaut’s second least watched finale (Adalian, 2018, April 17). It may seem strange then that Netflix’s latest horror offering goes back to the zombie well. Directed by Ben Howling and Yolanda Ramke, Cargo is a post-apocalyptic Australian zombie thriller starring Martin Freeman. Based on early rave reviews, it would appear as though the rumors of the zombie genre’s demise were premature.

Synopsis

Set in a post-apocalyptic Australian landscape, a pandemic that turns its victims into zombies within a 48-hour time period has decimated the globe. In this world, Andy and Kay, with their infant daughter Rose, struggle to find safety in a boathouse they’re struggling to navigate along a rural Australian river. Following a tragic turn of events, Kay is killed and Andy infected, leaving him 48 hours to find safety for his daughter before he turns. On his travels, Andy finds Thoomi, an Indigenous girl who lost her father to the virus. Together Andy and Thoomi struggle to find some hope and a chance for survival.

Themes of Hope and Survival Give Cargo an Emotional Center

Cargo is less a horror film and more of a human drama and thriller with horror concepts and imagery. In addition to serving as one of the two directors, Yolanda Ramke also penned the screenplay. If zombies are starting to feel stale, Cargo succeeds in part because Ramke’s story keeps the zombie pandemic in the background, opting instead to focus on the emotions that arise out of characters’ relationships. It’s the relationships between Andy and Kay and Thoomi and her father, and the loss Andy and Thoomi experience, that drive the film. Later in Cargo, it is the friendship that builds between Andy and Thoomi that holds your attention. Even the losses experienced by secondary characters – former teacher Etta and Lorraine – give Cargo a weighty emotional heart.

One reason the zombie has endured as a popular horror film monster over the decades is that it functions as an ideal blank template onto which filmmakers can project a range of themes.

One reason the zombie has endured as a popular horror film monster over the decades is that it functions as an ideal blank template onto which filmmakers can project a range of themes. Like most exceptional films, Cargo can likely be read in a variety of ways. One theme that seems to emerge from Ramke’s story is hope. Characters lose and regain hope over the course of Cargo. Building upon this theme, the final act and closing moments serve to provide the film with an emotionally satisfying arc. This is the kind of storytelling that has set the zombie subgenre apart from other horror avenues for the better part of a decade.

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Cargo Has More Than Enough Bite

While Cargo may not be best described as a horror film, that’s not to say that it has no ‘bite’ to it. Directors Howling and Ramke give Cargo an overall haunting tone with moments of well-executed tension that punctuate the film when necessary. An early scene where Andy calls out to a family only to have the father flash a revolver is one of several moments that contributes to a quietly forebodding mood. Zombies may be slow, but Howling and Ramke also find several ways to make their plodding threat frightening. While a little reminiscent of both 28 Days Later and 28 Weeks Later, one scene involving a walk through a darkened tunnel is an example of one of several white-knuckle moments in Cargo.

…it is Andy’s slow transition from infection and the impending threat it poses to his infant daughter that gives Cargo a constant sense of urgency.

Arguably, it is Andy’s slow transition from infection and the impending threat it poses to his infant daughter that gives Cargo a constant sense of urgency. Those scenes where Andy slowly begins succumbing to the virus create genuine moments of fear. Not jump scares but genuine terror. The inclusion of the watch with its running timer is a clever tool serving to maintain that urgency from scene to scene.

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First Rate Horror Production

From the cinematography to the performances, Cargo stands out as a first rate horror film production. Cinematographer Geoffrey Simpson makes brilliant use of the desolate Australian landscape to enhance the film’s mood. Several gorgeous wide-angle shots of wilderness contrast nicely with the post-apocalyptic reality of Cargo’s world.

One of the more underrated actors in film and television, Martin Freeman delivers an incredible performance. It doesn’t matter if it’s a scene with no dialogue, Freeman is utterly convincing as a father desperately trying to find some hope for his child. It’s a performance that should continue to remind critics that horror films matter during awards season. Child actor Simone Landers is a revelation as Thoomi; she is not overshadowed in any way by Freeman’s fantastic performance. She capably conveys childlike naivete with an adult’s seriousness in her role.

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Cargo Gives Netflix A Much Needed Win

While Netflix has struggled with some of their full film releases over the last few months, Cargo can absolutely be slotted in the ‘win’ column for the streaming giant. It’s a quiet, restrained, and thoughtful zombie thriller that boasts strong acting performances and strong production values. It’s the best kind of horror film – one that engrosses not because it shocks but because it emotionally engages the audience in its story. Cargo joins The Ritual as another Netflix candidate for ‘Best Horror Film of 2018’.

THE PROFESSOR’S FINAL GRADE: A

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I am a Criminology professor in Canada but I've always had a passion for horror films. Over the years I've slowly begun incorporating my interest in the horror genre into my research. After years of saying I wanted to write more about horror I have finally decided to create my own blog where I can share some of my passion and insights into the films I love.

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