The Purge Franchise: All crime, Including Murder, is Legal for 12 Hours

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Who would have thought that a modestly budgeted home invasion thriller would spawn such a successful franchises? In retrospect, The Purge, which hit theaters in 2013, was exactly the kind of movie upon which Blumhouse Productions has built their success – big concept, small budget. Even if The Purge wasn’t a great movie per se, the sound of that siren followed by the announcement, ‘All crime, including murder, will be legal for 12 hours’ hooked audiences. To date, Blumhouse has produced four sequels and a television series. All five movies have been box office gold for the studio. Some of the success owes to all those colorful villains. But the constant presence of series creator James DeMonaco has played a role in the series’ consistency. Now rumors are spreading of a sixth Purge movie. Regardless, it’s time to take stock of the franchise and separate the weakest entry from the best.

5= The Forever Purge (2021)

Some franchise fans will take issue with placing The Forever Purge at the bottom of the list. Arguably, The Purge could just as easily be at the bottom. Both movies suffer from the same problem – interesting premises largely unexplored. Certainly, series creator and writer James DeMonaco has a timely political premise. Months after the world watched far-right extremists storm the US Capital Building, the idea of a splinter Purge Purification Force extending ‘the purge’ to ‘cleanse’ the country of ‘non-Americans’ should strike a nerve. Instead of chilling commentary it feels like being hammered over the head. Though director Everardo Gout stages some excellent, violent action sequences – in broad daylight this time – and we have the requisite masks and likeable characters, The Forever Purge feels more like a generic dystopian action thriller than a Purge movie. And it’s undoing of The Purge: Election Year’s ending feels cheap.

4 – The Purge (2013)

Make no mistake about it, The Purge was the least remarkable entry in the series. Until The Forever Purge. However, this isn’t to say The Purge is a bad movie. On the contrary, writer and director James DeMonaco’s first kick at the can is far from bad. You’ll find lots of good ideas here. Aside from its intriguing premise, The Purge boasts a good leading cast (Ethan Hawke, Lena Headey) along with some potentially explosive subtext. In addition to the more obvious ideas around human nature and violence, DeMonaco skims deeper issues including racial injustice, class division, and privatization of security. Unfortunately, DeMonaco doesn’t fully develop these themes. Some of this is a function of budget and scope. Specifically, DeMonaco was working with a small $3 million budget. As a result, The Purge is a lukewarm home invasion movie anchored by a big concept.

3 – The Purge: Election Year (2016)

After The Purge: Anarchy opened up the franchise’s world and fully exploited its premise, DeMonaco continued with the ‘go big’ approach. Though it’s still an improvement over The Purge, The Purge: Election Year represents a step down from Anarchy. Like the first sequel, Anarchy continues the series’ shift away from horror elements firmly into action territory. And DeMonaco handles the action with the right amount of grit and intensity. Frank Grillo is back – a definite plus. Moreover, Election Year packs some timely satire with its female senator running for President against the far right-wing New Founding Fathers of America. But this time around, there’s a little too much predictability. Grillo’s character also feels less interesting – he’s missing that anti-hero quality from Anarchy. By no means should anyone consider this a perfunctory sequel. Nevertheless, DeMonaco’s bigger scope misses some of the personal stakes of Anarchy.

2 – The First Purge (2018)

When most franchises hit their fourth film, diminishing returns hits hard. Prequels also rarely bode well. However, The First Purge successfully used the prequel route to bring in fresh talent and a new direction. By the fourth movie, DeMonaco’s handle on the bigger action scenes is quite adept. And for this installment, DeMonaco throws even more big ideas at the screen, taking aim at the Trump administration. DeMonaco’s use of faulty, unethical social science findings to target minorities eerily parallels the Tuskegee Syphilis Experiment. There’s government-funded Russian ‘merc’s’, NRA funding of the NFFA, and references to media fear-mongering. Scenes of Neo-Nazi militias attacking a community church are cutting references to the US government’s complicity in the rise of neo-Nazi activity in America. Not all these ideas stick and the focus is clearly still on action. Still The First Purge is better than it had any right to be.

1 – The Purge: Anarchy (2014)

Hands down, The Purge: Anarchy is the best movie in the series. With a slightly bigger budget, DeMonaco takes the ‘purge’ from a suburban household straight into the streets. This time audiences got to see the full chaos of a ‘purge night’ as we watched five very different people try to survive a night in Los Angeles. In addition to abandoning its ‘home invasion’ setup, The Purge: Anarchy takes a step away from horror into action. DeMonaco treats us to some of the more visually-striking series’ villains, including Young Ghoul Face and Big Daddy. If The Purge teased bigger themes, Anarchy dives into these ideas. In particular, DeMonaco’s idea of the NFAA using professional ‘purgers’ to clean out marginalized neighbourhoods is pretty provocative stuff for this kind of movie. Throw in the underrated Frank Grillo – and some welcome mystery surrounding his character – and you have a lean, relentless sequel.

Blessed Be the New Founding Fathers: Best Villains in The Purge Franchise

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Happy Fourth of July to our American neighbours! To celebrate the American holiday Blumhouse Productions is releasing the fourth film in its Purge franchise, The First Purge. The timing of the release may cut a little too close to home for some viewers. But The Purge films have never shied away from political commentary. To date, each Purge movie has earned more than its predecessor on small budgets. As such, a prequel may seem unnecessary, but it was pretty much inevitable. To mark the prequel’s release, The Chopping Block lists the nine best villains across the franchise.

9 – Grace Ferrin (Arija Bareikis, The Purge)

The Purge wasn’t a great movie; it was a serviceable execution of a fascinating premise. Perhaps the best moment of The Purge comes at its climax. With the Sandins exhausted and captured, their neighbours arrive to save the day. Except the neighbours aren’t there to rescue the Sandins. No, they’ve shown up to ‘purge’ against them.  Their jealously of the Sandin’s wealth achieved at their own expense delivered a biting commentary on American consumerism. Grace Ferrin, as the cordial face of this suburban contempt, was the perfect representation of the banal nature of evil.

Grace Ferrin
Her ‘Purge’ Parties Suck Anyways

8 – Old Elegant Woman (Judith McConnell, The Purge: Anarchy)

The Purge: Anarchy opened up the world of ‘The Purge’. It took the premise from a ‘home invasion‘ setting to city streets. reaping greater rewards. This expansion allowed writer and director James DeMonaco to explore the ‘class wars’ theme bubbling The Purge’s surface. Yes, the movie’s auction cuts at the nature of privilege that defines real-world oppression and violence. And privilege in the world of ‘The Purge’ is no better exemplified than by Judith McConnell’s ‘Old Elegant Woman’. As the enthusiastic MC for the human auction, the ‘Old Elegant Woman’s’ exaggerated facial expressions and dialogue delivery come together to create a truly vile villain.

7 – Uncle Sam (Roman Blat, The Purge: Election Year)

In terms of screen time and impact, ‘Uncle Sam’ doesn’t really do much in The Purge: Election Year. He’s more or less on this list for two reasons. First, the character design is downright cool and a thematically perfect fit for the franchise. There’s just something creepy about the mask, and the gun painted with the ‘stars and stripes’ adds some nice background commentary. Second, the concept of ‘murder tourists’ is a nice addition to ‘The Purge’ mythology and one I wished the sequel had opted to focus on.

6 – Earl Danzinger (Terry Serpico, The Purge: Election Year)

Let’s face it – Election Year’s primary antagonist is a step down from ‘Big Daddy’. In fact, the secondary villains of Anarchy are more memorable. Still the fault doesn’t lie with actor Terry Serpico who manages to bring a menacing presence to the role. Rather he just doesn’t have much to work with as Earl Danzinger, the New Founding Father’s para-military hitman. His placement this high up on the list owes to the social commentary of the character, intended or not. Danzinger’s Neo-Nazi roots are some eerie foreshadowing of our current political times.

5- Leader Caleb Warrens (Raymond J. Barry, The Purge: Election Year)

At some point in the franchise, one of the New Founding Fathers had to eventually surface as an antagonist. Leader Caleb Warrens, played by Raymond J. Barry, has only a small role in Election Year. Yet the character still perfectly exemplifies both the appearance and characteristics of the ‘one percent’. Arrogant and callous, his demise in the climatic church shoot-out is a highlight of the third film.

4- Big Daddy (Jack Conley, The Purge: Anarchy)

While he’s not necessarily the most compelling villain on this list, Anarchy’s ‘Big Daddy’ was arguably the major antagonist in the second film of the franchise. More of a background villain in Anarchy, ‘Big Daddy’ had a straightforward, white middle America look that worked well for the ‘class wars’ theme that was explored a little more as compared to the first film. Conley also has a blunt, commanding presence befitting of the character.

3- Freakbride/Kimmy (Brittany Mirabile, The Purge: Election Year)

True, she only has a small role. And, yes, the politicians are the real villains in Election Year. Nevertheless, Brittany Mirabile’s ‘Freakbride’ (or Kimmy) easily stands out as one of franchise’s the more vile villains. Maybe it’s her brash sense of entitlement. Or perhaps it’s Mirabile’s heel-delivery of her dialogue. Regardless the ‘Freakbride’ inspires exactly the kind of contempt you need from villains. In addition, her ‘Purge’ mask and costume give the character just enough menace to make for a compelling threat.

2 – The Polite Stranger (Rhys Wakefield, The Purge)

Articulate, intelligent, and brimming with rage, the ‘Polite Stranger’ was the ideal villain for The Purge. At their heart, The Purge movies are about the innate violence that resides in each of us. Portrayed by Rhys Wakefield, the ‘Polite Stranger’ was the perfect representation of the concept. At face value, he exemplified how social niceties mask our more primal urges. Like a mini-Patrick Bateman, ‘The Polite Stranger’ exuded a smarmy personality. And his dialogue delivery had you counting down to the moment where he would finally get his comeuppance.

1 – Young Ghoul Face (Lakeith Stanfield, The Purge: Anarchy)

No, he doesn’t say much in the movie. And he’s really just a secondary antagonist in the rapidly growing ‘Purge’ mythology. Yet Lakeith Standfield’s ‘Young Ghoul Face’ is probably the franchise’s scariest villain. Maybe it’s that simply creepy mask? Or perhaps it’s the menacing gestures? Whatever it is, ‘Young Ghoul Face’ has just the right presence and demands attention whenever he is on screen. Marketers obviously clued in to Stanfield’s ominous presence. Take a look at the movie’s marketing – the character features prominently.

The Kid is Alright: Blumhouse’s Stephanie Delivers

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Like killer clowns and antique dolls, horror fans can’t seem to get enough of creepy kids. Just last week, the Children of the Corn franchise spit out yet another sequel onto Blu-ray. Not to be outdone, Blumhouse Productions released Akiva Goldsman’s Stephanie on Netflix this week. Boasting a strong cast and interesting premise, Stephanie has generated buzz in horror circles.

Synopsis

Stephanie, a young girl, livies alone in her family home. Newspaper clippings and snippets of television news coverage hint at a larger global disaster. Stephanie’s parents are either dead or abandoned her. A stuffed toy named Franklin is her only companion. Outside the house, lurking in the orchard, is an unseen presence that constantly watches. Alone and vulnerable, Stephanie is in constant danger.

Stephanie Is An Effective Mystery with Good, Low-Key Scares

Stephanie works a bit like a puzzle that simultaneously challenges and engages.

To say much more about Stephanie’s plot would be a disservice. Much of the joy in watching Stephanie is the intrigue that slowly builds as the director Akiva Goldsman drops little hints here and there. It was refreshing to watch a horror film that had me guessing for its first 40 or 45 minutes as one question was quickly replaced by a new one. In this sense, Stephanie works a bit like a puzzle that simultaneously challenges and engages.

The film marks Goldsman’s feature-length directorial debut, and it’s an impressive introduction. Stephanie is a rare exercise in suspense and tension that puts a viewer on the edge of their seat. Simple moments and tasks are given a sinister tone. Watching the young Stephanie trying to make herself a smoothie with a blender was particularly grueling. Stephanie’s pacing is also quite good. Quieter moments are infused with mystery. Lights flicker, lightning flashes, and figures momentarily appear in the background. While they may be familiar horror film tropes, Goldsman employs them effectively and doesn’t allow them to overpower atmosphere and mood.

Stellar Acting Performances

While Stephanie hints at global disaster, it’s a small-scale movie anchored by a small but strong cast. Child actor Shree Crooks, who plays the title character, carries the first third of the movie. Her performance is simply amazing, and not just for a child actor. She displays a full range of emotions that keeps the viewer engaged for the movie’s relatively quiet first 30 minutes or so. In one amusing scene, she displays naive, childlike enthusiasm when she lets a curse word slip out, then realizing she’s alone, yells out several ‘bad’ words aloud. Moments later, Crooks conveys the fear and loneliness a child should feel alone in the dark.

Grillo is tasked with playing a father desperate to protect his daughter while knowing deep down he may fail.

Frank Grillo (The Purge: Election Day) and Anna Torv (Fringe), as Stephanie’s parents, are both excellent as well. Grillo is tasked with playing a father desperate to protect his daughter while knowing deep down he may fail. Whether it’s through his dialogue delivery or pained facial expressions, Grillo is utterly convincing. As the mother, Torv equally impresses with a more understated performance. Initially cold and focused, Torv slowly allows a mother’s pain and grief to seep out as the film unfolds.

A Little Cribbing in the Story

Where Stephanie falters a little is in the storyline twist that emerges in the film’s second half. Twilight Zone fans may recognize the swerve before it’s finally delivered as it cribs a little on a classic episode. The screenplay, written by Ben Collins and Luke Piotrowski, certainly adapts the premise and injects enough fresh ideas to allow Stephanie to avoid feeling like a rehash. In addition, both the screenplay and Goldsman’s direction keep the first half of Stephanie taunt and immersive for audiences, thus allowing the film to avoid feeling like an extended Black Mirror episode.

Like other horror films, Stephanie also suffers a little from extending its ending. It does feel like Goldsman tacked on a ‘second’ and wholly unnecessary ending. Goldsman had the perfect conclusion – it was emotionally resonant and heartbreaking. This ‘first’ ending also works better with the movie’s smaller scale human drama. But Goldsman gives in to the need for a flashier conclusion and while this extended ‘second’ ending delivers some fun visuals and an equally bleak vision, it can’t help but undermine what proceeded it.

Another Hidden Gem from Blumhouse Productions

Despite a few complaints, Stephanie definitely qualifies as another hidden gem from Blumhouse Productions. It’s a much better movie than Truth or Dare, which had a wide theatrical release earlier this spring. From the stellar performances to the heartbreaking mystery at its core, Stephanie is a movie that delivers beyond its scares.

THE PROFESSOR’S FINAL GRADE: B+