The Silence: All Quiet in the Scares Department

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Netflix is trying its hand at original movie content again. Today, the streaming giant released their adaptation of Tim Lebbon’s novel, The Silence. Though Lebbon published his novel several years ago, John Krasinski’s A Quiet Place beat Netflix to the punch by a year. Both movies share a similar post-apocalyptic premise – a new breed of predators that hunt by sound. Can The Silence carve out its own niche and succeed with the same concept? Or will it suffer from the inevitable comparisons?

Synopsis

Beneath the Appalachian mountains, a research team inadvertently releases a new species of carnivorous bats. The creatures, or ‘Vesps’, quickly spread and swarm crowded cities, hunting by sound. In a bid to survive, sixteen-year old deaf Ally and her family retreat into the countryside. But when ‘The Hushed’, a survivor cult, stumbles upon Ally, the family finds themselves fighting very human monsters.

Well, That Escalated Quickly …

The Silence doesn’t just embrace the standard cinematic post-apocalyptic tropes. On the contrary, director John R. Leonetti doubles down hard on familiar plot devices. Some post-apocalyptic movies, like The Domestics or A Quiet Place, start long after society’s downfall. In contrast, 28 Days Later and other dystopian movies build in a time lapse to illustrate their end of days. Not The Silence. Within days, landscapes are emptied. Death cults are up and running before the Internet stops working. Why? Because if we’ve learned anything from shows like The Walking Dead, it’s that humanity is the real enemy. Yawn. And yes, at one point, a character needs medicine necessitating what is intended to be a suspenseful trip beyond safe shelter.

In spite of ‘serious movie’ pretences, The Silence is riddled with illogical story developments.

Still it’s not just familiarity that hampers The Silence. In spite of ‘serious movie’ pretences, The Silence is riddled with illogical story developments. How could carnivorous bats survive trapped underground without a food source? On one hand, cities have fallen into disrepair with ‘end of the world’ graffiti, but FaceTime still works? Death cults haven’t just formed. They have names. And they’re recruiting. Silly monster movies can get away with these plot contrivances. But movies like Piranha 3D or The Meg also aren’t pretending to be anything more than popcorn entertainment.

The Silence Fails To Bring Its Premise To Life

To date, Netflix original movies have struggled to capture a cinematic feel. The Silence feels like a step backwards. While the creature design and special effects are better than your average SyFy channel movie, they fall well short of convincing. First, the Vesps’ creature design is a poor cross between a baby Xenomorph and a bat or chicken. Moreover, The Silence features some unconvincing CGI. There’s just a distinctly ‘small’ feel to the movie. One has to wonder why Leonetti would opt to show the ‘beginning of the end’ without the budget or scale to do it justice.

The Silence is pretty quiet in the scares and suspense department.

As a filmmaker, Leonetti has directed Annabelle (the bad one), Wolves at the Door, Wish Upon … and Mortal Kombat: Annihilation. Not surprisingly then, The Silence is pretty quiet in the scares and suspense department. Even scenes that feel like they should be suspenseful – like running into a rattlesnake in a sewage pipe – fall flat. For some inexplicable reason, Leonetti also introduces ‘The Reverend’ and his cult, ‘The Hushed’ late in the movie. Ten minutes later or so and Ally et al have killed the villain in what can only be described as very a poorly edited scene.

The Silence A Disappointing Netflix Original

Disappointing is probably an understandment. To be perfectly honest, The Silence is a really bad movie. Bird Box may have underwhelmed, but Sandra Bullock was still amazing. Stanley Tucci, Miranda Otto, and Kiernan Shipka are all fantastic actors, but The Silence wastes their talents. Maybe it’s time to move on from ‘sensory horror’ before we get a movie where monsters hunt by smell. The Silence already stinks.

THE PROFESSOR’S FINAL GRADE: D

Bird Box: See No Evil With the Latest Netflix Release

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Netflix ends 2018 with one last big original release. Based on a novel by Josh Malerman, Bird Box marks yet another entry in the post-apocalyptic thriller genre. In 2018 alone, the film gods have given us Cargo, The Domestics, Hostile, The Cured, Extinction, and Stephanie. It’s a crowded field to say the least. But Bird Box boasts some pedigree both behind and in front of the camera. Acclaimed filmmaker Susanne Bier directs Oscar-winner Sandra Bullock in what feels like a spiritual cousin to A Quiet Place. Of course, Netflix had a lot of pedigree behind last year’s Bright.

Synopsis

A blindfolded Marjorie guides two unnamed children along a treacherous stretch of river. It’s a desperate bid to find survivors in a post-apocalyptic world. Their journey is endangered by an unseen entity that if looked upon drives you to commit suicide. Five years earlier, a pregnant Marjorie takes shelter with other survivors as mass suicides ravage the globe.

Bird Box Makes the Most of Its Premise

Like the previously released A Quiet Place, Bird Box lives and dies with its simple premise. Bird Box is one part A Quiet Place, one part The Happening, with a sprinkling of several familiar dystopian movie tropes. Fortunately, Bier fuses these elements together into an emotional and suspenseful thriller Among her apt creative choices, Bier opts to never reveal Bird Box’s monsters. Similarly, Bier foregoes giving us much background on the unseen entities. Yes, there are some lazy plot contrivances here and there. Characters figure out what’s going on pretty quickly; even stranger, they seem pretty okay with the explanation. But Bird Box trusts its audience to piece things together as the movie’s characters do.

In spite of its length, Bird Box never drags and is punctuated with frequent bouts of suspense.

Bier also keeps her movie remarkably focused for its two hours. In spite of its length, Bird Box never drags and is punctuated with frequent bouts of suspense. Though the two timelines spoil some things by necessity, by and large, they allow Bier to seamlessly weave character moments with tension. Marjorie’s river run provides Bird Box with much of this tension. To her credit, Bier finds plenty of ways to exploit the characters’ blindfolds or maximum unease. But Bird Box’s highlight comes two-thirds of the way into the movie with a stranger interrupting two births. The scene doesn’t quite hit the same heights as a similar moment in A Quiet Place. Yet it’s still a highlight and one of the better horror movie moments of 2018.

 

Netflix Movies Still Lack a Cinematic Feel

If there’s one limitation of Bird Box, it’s the lack of cinematic feel to some moments. In general, Bird Box works best when it keeps its world small, focusing on its human drama. In the movie’s ‘bigger’ moments, Bird Box occasionally betrays its smaller roots. Early scenes showing showing the initial chaos of the ‘outbreak’ have a ‘made-for-television-vibe’ hanging over them. Other Netflix originals, including Extinction and The Cloverfield Paradox, have suffered from the same problem. Keep in mind, this is a minor quibble with Bird Box

 

Bullock Heads a Stellar Cast

If Bird Box occasionally feels less cinematic than its subject-matter, the cast more than makes up for it. Admittedly, all the characters will feel familiar to audiences who watch a lot of dystopian movies. Even Bullock’s ‘Marjorie’ gets shoehorned into what feels likes a fairly predictable character arc. In spite of the movie’s periodic heavy-handedness, Bullock infuses ‘Marjorie’ with such believable pathos that you can’t help but get sucked into the story. Bullock delivers the emotional knockout needed at the end, helping Bird Box transcend some of its limitations.

A stellar supporting casts lends Bullock a hand. Trevante Rhodes (The Predator) continues to illustrate why more movies need more Trevante Rhodes. In supporting roles, Sarah Paulson and John Malkovich make the most of their screen time. Get Out’s Lil Rel Howery is on hand to deliver some much needed levity here and there.  

 

Bird Box Helps Netflix End on a High Note

While Bird Box doesn’t necessarily tread new ground in the post-apocalyptic genre, it still delivers top-notch suspense with its simple premise. Director Susanne Bier capably balances the human drama with the requisite B-movie monster scares, and Sandra Bullock turns in another stellar performance. It’s a much needed win for Netflix if it hope to continue moving forward with more original feature-length content.

THE PROFESSOR’S FINAL GRADE: A-