The Lost Boys: Sleep All Day, Party All Night

The Lost Boys was the first real horror film I saw in a movie theater. I was 13-years-old when it came out and I can still remember clipping the newspaper review from my local paper. In many ways, The Lost Boys was the perfect introduction to horror for a kid. Released on July 31st, 1987, The Lost Boys boasted a cast of ‘Brat Packers’, an MTV rock-infused soundtrack, and a hip twist on vampire mythology.

Schumacher Spins a Fun, Updated Vampire Mythology

Today, director Joel Schumacher is reviled by filmgoers. After all, he’s  the man who ruined Batman until Christopher Nolan saved the franchise. But before Batman & Robin, Schumacher had assembled a filmography that included Flatliners and Falling Down. With The Lost Boys, Schumacher delivered a vampire movie that shook off the cobwebs from the contrived Hollywood vampire mythology. By the 1980’s, vampire films felt dated and had been supplanted at the box office by masked psycho killers.

By the 1980’s vampire films felt dated and had been supplanted at the box office by masked psycho killers.

Along with its cast of up-and-coming young stars that included Kiefer Sutherland, Jason Patric, Jamie Gertz, and ‘The Corey’s’ (Corey Haim, Corey Feldman), The Lost Boys gave vampires an 80’s makeover. Forget about the Gothic roots of vampires from Hammer Horror and Universal StudiosThe Lost Boys injected some fun and a ‘coolness’ factor into vampire mythology with its teen vamps. These weren’t tortured souls sulking in the shadows. On the contrary, Kiefer Sutherland’s ‘David’ and his vampire pack were hip, motorcycle-riding rebels. The lived n an abandoned hotel with a giant Jim Morrison poster in the background. Just like it’s tagline, ‘they slept all day, and partied all night.’ It was a direction that made the vampire instantly more appealing to its young target audience in the 1980’s.

The Lost Boys I

You Will Never Be As Cool as ‘Sax Man’

Back in the 1980’s, MTV actually played music videos. Arguably, by 1987, MTV had hit its stride as a cultural touchstone for youth in the era. Not surprisingly then, a big part of the success of The Lost Boys was its MTV-sensibilities, both in its pacing and editing, but also reflected by its soundtrack.

In fact, big movies in the 1980’s had to have a killer soundtrack . While not quite as epic as the Top Gun soundtrack, The Lost Boys soundtrack boasted some great rock songs. It included a couple of INXS tracks, a cool cover version of The Doors’ ‘People are Strange’ by Echo and the Bunnymen, and Gerard McMann’s appropriately creepy ‘Cry Little Sister’. Marilyn Manson recently released an excellent cover version of The Lost Boys theme. Besides, you’ll never be as cool as ‘Sax Man’.

Sax Man

Lost Boys is a Wickedly Fun Blend of Horror and Comedy

Juxtaposing horror and comedy is a tricky balance. The 1980’s saw its share of successful absurdist horror-comedy features including The Evil DeadRe-Animator, and Return of the Living DeadThe Lost Boys isn’t characterized by the same absurdist horror-comedy as Re-Animator; it was a much more mainstream film. No, The Lost Boys’ humour is more in line with its box office sensibilities. As such, it tends to be more focused on snappy one-liner’s.

But much of the humour plants both feet successfully, giving The Lost Boys a sense of wild, escapist fun missing from most vampire films.

Most of the film’s humour is delivered courtesy of The Frog Brothers (Corey Feldman and Jamison Newslander), the inept teen ‘vampire slayers’. Admittedly, much of this humour is a bit ‘hit and miss’. Some of the one-liners are more likely to elicit groans today. References to ‘Eddie Munster’ and ‘the blood-sucking Brady Bunch’ probably haven’t aged well. But much of the humour plants both feet successfully, giving The Lost Boys a sense of wild, escapist fun missing from most vampire films.

The Lost Boys III

Schumacher Balances His Humor With More Traditional Horror

This humour is also well-balanced with The Lost Boys’ more traditional horror elements. Schumacher puts together several inspired vampire moments. Working well with the available special effects, Schumacher never overexposes his vampires. Michael’s initiation into David’s ‘pack’ is a clever blending of teen rebelliousness and monster imagery. Moreover, the beach attack on the ‘surf nazis’ offers some grisly fun. It’s also one of the better uses of rock music in horror.

Perhaps the best illustration of the balance of humour and horror comes in The Lost Boys’ climatic showdown with Sam and The Frog Brothers delivering some levity, while Michael and David’s confrontations gets the dramatic heft it deserved. To date, Kiefer Sutherland’s ‘David’ remains one of the better cinematic vampire incarnations.

The Lost Boys II

The Lost Boys Remains a Fun Horror Film For New Audiences

Last fall, I let my boys watch The Lost Boys before Halloween to give them an introduction to horror films. While some of the 80’s fashion prompted some unintentional laughs, they loved the movie and asked to watch it again. In fact, I’ve been re-watching The Lost Boys for years now, and it’s not just the nostalgia that keeps me coming back. The Lost Boys remains a fun, scary movie that never takes itself too seriously. To date, it’s the rare older horror film that I would recommend to even casual horror fans.

 

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I am a Criminology professor in Canada but I've always had a passion for horror films. Over the years I've slowly begun incorporating my interest in the horror genre into my research. After years of saying I wanted to write more about horror I have finally decided to create my own blog where I can share some of my passion and insights into the films I love.

2 thoughts on “The Lost Boys: Sleep All Day, Party All Night

  1. Well, I’m going to have Sax Man’s I STILL BELIEVE in my head all day. (That was a cover of the band The Call, and Sax Man was Tina Turner’s saxophonist. Useless knowledge, but there it is.) Very cool piece. I think it was a big intro to horror (in the theater) to a lot of us 80s kids.) Worth a rewatch (I saw it 3x in the theatre and def. had the soundtrack).

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